| [FZ] Ladies and gentlemen, this is a uh… a great opportunity for me to try something new here. We got this song we worked on this afternoon an’… an’ I thought we might try and do it, you know, it’s not perfect yet but let’s see what happens. Name of this song is “Heavy duty Judy”.
|
| One, two, three
|
|
|
| Heavy duty Judy
|
| Heavy duty Judy
|
| Heavy duty Judy
|
| [Repeat]
|
|
|
| [Instrumental]
|
|
|
| Heavy duty Judy
|
| Heavy duty Judy
|
| Heavy duty Judy
|
| Heavy duty Judy
|
| [Repeat]
|
| […]
|
|
|
| “Why not come over?
|
| You’ll meet my mother
|
| You’ll meet my sister
|
| You’ll like my brother
|
| Really you will…”
|
|
|
| “I’m learning English
|
| I can say: ‘Thank you’
|
| I think I like you
|
| Do you like my band-aid?
|
| I hope you do…”
|
|
|
| “I am not busy
|
| I’m free to travel ▶
|
| Where are you going?
|
| Maybe you’ll take me
|
| I hope you do…”
|
|
|
| “I am not busy
|
| He used to like me
|
| I speak good English
|
| I’m bathing with Peter
|
| Pick me, I’m clean…”
|
|
|
| Vinnie goes bare-back
|
| Peter goes wet-back
|
| Denny goes way back
|
| Eddie should get back
|
| Pick me, I’m clean…
|
|
|
| Oh yeah, pick me, I’m clean
|
| Oh yeah
|
| Check out my band-aid
|
| Oh yeah, pick me, I’m clean
|
| Oh yeah
|
| Check out my band-aid
|
| Oh yeah, pick me, I’m clean
|
| Oh yeah
|
| Check out my band-aid
|
| Oh yeah, pick me, I’m clean
|
| Oh yeah
|
|
|
| [Instrumental]
|
|
|
| “Why not come over?
|
| You’ll meet my mother
|
| You’ll meet my sister
|
| You’ll like my brother
|
| Really you will…”
|
|
|
| “I’m learning English
|
| I can say: ‘Thank you’
|
| I think I like you
|
| Do you like my band-aid?
|
| I hope you do…”
|
|
|
| “I am not busy
|
| I’m free to travel
|
| Where are you going?
|
| Maybe you’ll take me
|
| I hope you do…”
|
|
|
| “Do you know Vinnie?
|
| He used to like me
|
| I speak good English
|
| I’m bathing with Peter
|
| Pick me, I’m clean…”
|
| Don’t you know, I treat her nice and kind
|
| The way no other lover can
|
| I came home the other day and she was
|
| Suckin’ off some other man
|
|
|
| I ain’t the type for beggin’
|
| I ain’t the type to plead
|
| If she don’t change those evil ways
|
| I’m gonna make her bleed
|
| She can scream and she can holler
|
| Bang her head all along the wall
|
| If she don’t give me what I want
|
| She gonna have no head at all
|
|
|
| Bamboozled by love
|
| I know she fooled around too long
|
| Bamboozled by love
|
| I said she fooled around too long
|
| I am mad and gettin’ meaner
|
| I am here and she is gone
|
| And the reason you have not seen her
|
| She is underneath the lawn
|
| She’s underneath the lawn, lawn, lawn
|
|
|
| [Instrumental]
|
|
|
| [FZ] I’ve no idea what the name of the program is, but you’re watching it.
|
| [Jimmy Carl Black] You ought to do it, man, because you know exactly how it goes
|
|
|
| [FZ] Now I see I’ve should’ve run like a rabbit
|
| Love comes along and I reach out and grab it
|
| Doggonit, dagnabbit
|
| Falling in love is a stupid habit
|
| Falling in love, in love, in love
|
|
|
| One, two, three, four
|
|
|
| Maybe this doesn’t happen to you
|
| You could be a superman
|
| But if I see somebody new
|
| I reach out and grab her hand
|
|
|
| I reach out and grab a lot
|
| ‘Cause I like what she has got
|
| She don’t need what I propose
|
| So I gets it up the nose
|
|
|
| Two, three, four
|
|
|
| Doggonit, dagnabbit
|
| Falling in love is a stupid habit
|
| Doggonit, dagnabbit
|
| Falling in love is a stupid habit
|
| Falling in love, in love, in love
|
|
|
| One, two, three, four
|
|
|
| You could be the lucky type
|
| You could have a fancy car
|
| All the girls know what they like ▶
|
| And if you’ve got it you’ll go far
|
|
|
| But I speak out and say: “Hello!”
|
| The girls all tell me where to go
|
| People, this goes on and on
|
| What the heck have I done wrong?
|
|
|
| Two, three, four
|
|
|
| Doggonit, dagnabbit
|
| Falling in love is a stupid habit
|
| Doggonit, dagnabbit
|
| Falling in love is a stupid habit
|
| Et cetera
|
|
|
| This is cheap, this is really cheap, watch it
|
| [FZ] … of this song is “This is my story”. And we go… gonna go from “This is my story” into the aftermath, you understand what I mean? OK, lemme hear the chord, please. Right, this is in key of C, Tommy. The chord again. All right.
|
|
|
| This is my story, I have no song
|
| Just alone and broken hearted
|
| Just because I fell in love
|
| In love with you
|
|
|
| I pray that you come back to me
|
| Just to hear you say you love me
|
| And we’ll never, never part
|
| Part from you
|
|
|
| We will never, never…
|
| [Bobby Martin] I been run down
|
| Lord, an’ I been lied to
|
| And I don’t know why
|
| I let that mean woman make me out a fool
|
|
|
| She took all my money
|
| An’ wrecked my new car
|
| Now she’s with one of my good-time buddies
|
| An’ she drink in some crosstown bar
|
|
|
| Sometimes I feel…
|
| Sometimes I feel…
|
| Like I been tied to the whippin’ post
|
| Tied to the whippin’ post
|
| Tied to the whippin’ post
|
| Good Lord, I feel like a rasta man
|
|
|
| My friends tell me
|
| That I been such a fool
|
| I have to stand back an’ take it, babe
|
| All for loving you
|
|
|
| I drown myself in sorrow
|
| As I look at what you’ve done
|
| But nothin’ seem to change
|
| That bad times stay the same and I can’t run
|
|
|
| Sometimes I feel…
|
| Sometimes I feel…
|
| Like I been tied to the whippin’ post
|
| Tied to the whippin’ post
|
| Tied to the whippin’ post
|
| Good Lord, I think I look like a spliff man
|
|
|
| [Instrumental]
|
|
|
| Lord
|
| Oh no
|
|
|
| Lord
|
| Oh no
|
|
|
| Sometimes I feel…
|
| Sometimes I feel…
|
| Like I been tied to the whippin’ post
|
| Tied to the whippin’ post
|
| Tied to the whippin’ post
|
| LAWD EY-EY-EY-EY!
|
| Oh Lord
|
| Sometimes, you know, I believe if I don’t get my […]
|
| But I don’t do that kind of stuff so just I lay down and die
|
| [FZ] Ah, George, this is in the key of B. OK, ha ha ha. All right.
|
|
|
| […]
|
| Listen!
|
| Playin’ in a tent
|
| Down, down, down in
|
| Payin’ the rent
|
| Down, down, down in
|
| If you pooch a civilian
|
| Down, down, down in
|
| It’s a major event
|
| Down, down, down in
|
|
|
| Down in France
|
| Did you hear me? That’s where that’s located
|
| Way down in France
|
| […]
|
| Way on down
|
| And then I heard a noise
|
| Way on down
|
| Uh, down in France
|
| Listen!
|
|
|
| Listen
|
| Girls are all salty
|
| Sal-sal-salty
|
| An’ the boys are all sweet
|
| Sal-sal-salty
|
| Ah, they don’t cook too shabby
|
| Sal-sal-salty
|
| An’ they piss in the street
|
| Sal-sal-salty
|
|
|
| Down in France
|
| Listen to me!
|
| Way down in France
|
| Look, I saw […], it wou— it would…
|
| Way on down
|
| […]
|
| Way on down
|
| It was down in France
|
|
|
| […]
|
| Co-co-coffee
|
| They got a disease
|
| That will turn your peter green
|
|
|
| Down in France
|
| Way down in France
|
| Listen!
|
| I saw the color, I saw…
|
| Way on down
|
| And then it turned
|
| Way on down
|
| Was down in France
|
| Lemme tell you some ‘bout the coffee, look, look, look
|
|
|
| They got some coffee
|
| Co-co-coffee
|
| Just eatin’ right through the cup
|
| Co-co-coffee
|
| Every time you say “ka-ka”
|
| Co-co-coffee
|
| They make you stand up
|
| Co-co-coffee
|
|
|
| Down in France
|
| Way down in France
|
| Listen, I ka-ka… I ka-ka one time… I ka-ka one time with the…
|
| Way on down
|
| And then I ka-ka with the…
|
| Way on down
|
| Was down in France
|
|
|
| Now… Now look, look
|
| If you’re not too careful
|
| Care-care-careful
|
| It’ll stick to your cheeks
|
| Care-care-careful
|
| An’ you’ll smell like a native
|
| Care-care-careful
|
| For a couple of weeks
|
| Care-care-careful
|
|
|
| Down in France
|
| Way down in France
|
| […]
|
| Way on down
|
| […]
|
| Way on down
|
| An’ lemme play something
|
| Down in France
|
|
|
| [Instrumental]
|
|
|
| Listen!
|
| We cannot wait
|
| Till we get back
|
| We just love the way
|
| That the poodle ▶ “react”
|
|
|
| Down in France
|
| Listen to me!
|
| Way down in France
|
| […]
|
| Way on down
|
| […]
|
| Way on down
|
| Listen!
|
| Never try to get yo’ peter sucked in France
|
| […]
|
| Hey! Do you know what you are?
|
| You’re an asshole!
|
| […]
|
| Asshole!
|
|
|
| Some of you might not agree
|
| ‘Cause you probably likes a lot of misery
|
| But think a while and you will see…
|
|
|
| Broken hearts are for assholes
|
| Broken hearts are for assholes
|
| Are you an asshole?
|
| Broken hearts are for assholes
|
| Are you an asshole too?
|
| Whatcha gonna do, ‘cause you’re an asshole…
|
|
|
| No, no, no, yeah, yeah, yeah, I said, you are an asshole!
|
|
|
| Maybe you think you’re a lonely guy
|
| An’ maybe you think you’re too tough to cry
|
| So you went to the Grape just to give it a try
|
|
|
| And Dagmar
|
| Was his name…
|
|
|
| The whiskers sticking out from underneath of his pancake make-up
|
| Nearly drove you insane
|
| And so you kissed a little sailor
|
| Who had just blew in from Spain
|
| […]
|
|
|
| You sniffed the reeking buns of Angel
|
| And acted like it was cocaine
|
| You were dazzled by the exciting new costume of Ko-Ko
|
| In a way you can’t explain
|
| […]
|
|
|
| And so you worked the wall with Michael
|
| Take it away, Bobby
|
| Which gave your back an awful strain
|
| But you came back on Sunday for the Gong Show
|
| […]
|
| But you forgot what I was sayin’…
|
|
|
| ‘Cause you’re an asshole, you’re an asshole
|
| You’re right!
|
| You’re an asshole, you’re an asshole
|
| That’s true!
|
| You’re an asshole, you’re an asshole
|
| That’s right!
|
| You’re an asshole, you’re an asshole
|
| Oh, shit!
|
|
|
| [FZ] Stop! Stop. That was very WRONG to do! We like a nice clean stage. Bring that man back and make him wipe the shit out. Bring him back. That a security guy to hold him by the ankles and […] to this shit.
|
|
|
| All right, now at last the attention that you so JUSTLY deserved, step right up, introduce yourself and prepare to dyin’ as you never dyin’ before. What’s your name?
|
| [Guy] My name is […]
|
| [FZ] Great, now start eatin’ it. You don’t have to eat the napkin, no, no, just lick it out. No problem, we can wait.
|
| [Guy] He told me it was OK if I rotten up in a […]
|
| [FZ] Yeah, get your face in it, buddy.
|
| All the way down, no problem. No, wait. No, no, no, no violence, I don’t wanna hurt this man, this is… this is real food.
|
| Now, thank you, please don’t anyone throw anything else on the stage. Can we have the enormous napkin, please? Rub by? The napkin.
|
|
|
| Stand by for the last verse of “Broken hearts are for assholes”.
|
|
|
| Well, you been to the Grape, you been to the Chest
|
| An’ now I think you know what you are: you’re an asshole
|
| A WHAT?
|
| An asshole!
|
|
|
| You say you can’t live with what you’ve been through
|
| Ladies, you can be an asshole too
|
| You might pretend you ain’t got one on the bottom of you
|
| (Thank you!)
|
|
|
| Don’t fool yerself, girl
|
| It’s lookin’ at you
|
| Don’t fool yerself, girl
|
| It’s winkin’ at you
|
| Don’t fool yerself, girl
|
| It’s blinkin’ at you
|
| That’s why I say…
|
|
|
| I’m gonna ram it, ram it, ram it, ram it up yer poop chute
|
| Cornhole
|
| Ram it, ram it, ram it, ram it up yer poop chute
|
| Fist fuck
|
| Ram it, ram it, ram it, ram it up yer poop chute
|
| Wrist-watch; Crisco
|
| Ram it, ram it, ram it, ram it up yer poop chute
|
| Pud!
|
|
|
| Don’t fool yerself, girl
|
| It’s goin’ right up yer poop chute
|
| Don’t fool yerself, girl
|
| It’s goin’ right up yer poop chute
|
| Don’t fool yerself, girl
|
| It’s goin’ right up yer poop chute
|
| Ay ay ay ay
|
| Don’t fool yerself, girl
|
| It’s goin’ right up yer poop chute
|
| Ay ay ay ay
|
| Don’t fool yerself, girl
|
| It’s goin’ right up yer poooop chute
|
| Ay ay ay ay ay ay ay ay
|
| Don’t fool yerself, girl
|
| It’s goin’ right up yer…
|
|
|
| Aw aw, I knew you’d be surprised…
|
| I am he as you are he as you are me and we are all together
|
| See how they run like pigs from a gun, see how they fly
|
| I’m crying
|
|
|
| Sitting on a cornflake
|
| Waiting for the van to come
|
| Corporation t-shirt, stupid bloody Tuesday
|
| Man, you’ve been a naughty boy
|
| You let your face grow long
|
|
|
| I am the eggman
|
| They are the eggmen
|
| I am the walrus
|
| Goo goo g’ joob
|
|
|
| Mr. city policeman sitting, pretty little policemen in a row
|
| See how they fly like Lucy in the sky, see how they run
|
| I’m crying
|
|
|
| I’m crying, I’m crying
|
|
|
| Yellow matter custard
|
| Dripping from a dead dog’s eye
|
| Crabalocker fishwife, pornographic priestess
|
| Boy, you’ve been a naughty girl
|
| You let your knickers down
|
| SAY!
|
|
|
| I am the eggman
|
| They are the eggmen
|
| I am the walrus
|
| Goo goo g’ joob
|
|
|
| Sitting in an English garden waiting for the sun
|
| An’ if the sun don’t come, you get a tan from standing in the English rain
|
|
|
| I am the eggman
|
| They are the eggmen
|
| I am the walrus
|
| Goo goo g’ joob goo goo g’ joob
|
|
|
| Expert text pert choking smokers, don’t you think the joker laughs at you?
|
| See how they smile like pigs in a sty, see how they snide
|
| I’m crying
|
|
|
| Semolina pilchard
|
| Climbing up the Eiffel Tower
|
| Elementary penguin singing Hare Krishna
|
| Man, you should have seen them
|
| Kicking Edgar Allan Poe
|
|
|
| ‘Cause I am the eggman
|
| They are the eggmen
|
| I am the walrus
|
| Goo goo g’ joob goo goo g’ joob
|
| Goo goo g’ joob goo goo g’ joob
|
| Oh beautiful for spacious skies
|
| For amber waves of grain
|
| For purple mountain majesties
|
| Above the fruited plain!
|
|
|
| America! America!
|
| The only place to be
|
| And crown thy good with brotherhood
|
| The sea to shining sea
|
|
|
| Shining sea
|
| Shining sea
|
| Shining sea
|
| Shining sea
|
| Shining sea
|
| Shining sea
|
| […]
|
|
|
| [Instrumental]
|
|
|
| Sea to shining sea, yeah
|
| Sea to shining sea, oh yeah
|
| Sea to shining sea
|
| Sea to shining sea, yeah
|
| Sea to shining… sea
|
|
|
| Good night!
|
| […]
|
|
|
| [FZ] A long time ago, when we worked here, back in the olden days, we got fired from those clubs for… for playing this song.
|
| [Mark Volman & Howard Kaylan] STUDEBACHER HOCH
|
| YEAH YEAH
|
| STUDEBACHER HOCH
|
| STU-DE-BACHER HOCH!
|
|
|
| STUDEBACHER HOCH
|
| YEAH YEAH
|
| STUDEBACHER HOCH
|
| STU-DE-BACHER HOCH!
|
|
|
| He’s coating his legs with Aunt Jemima syrup up and down
|
| His shorts’ll be filled with flies that will be buzzing all around
|
| Stoodlabaker Hoch, he’s really outa-site!
|
| Stoodlabaker Hoch, he does it every night!
|
| Stoodlabaker Hoch, he treats the flies all right!
|
| Stoodlabaker Hoch, that’s why they never bite, hey!
|
|
|
| Please to New York!
|
| I beg you, help me get there!
|
| Fly to New York!
|
| He could be a dog or a frog or a lesbian queen
|
| Fly to New York!
|
| Master Blaster!
|
| He could be a narc or a lady Marine
|
| Or he might play dirty
|
| He’s over thirty
|
| Getting old? I don’t know!
|
|
|
| His peculiar attire and the flies he require keep leading him on
|
| ‘Cause Ethel is gone
|
| And the mountain she’s on
|
|
|
| [Instrumental]
|
|
|
| Fly to New York!
|
| Fly to New York!
|
|
|
| [Instrumental]
|
|
|
| Fly to New York!
|
|
|
| I don’t KNOW!
|
|
|
| His peculiar attire and the flies he require keep leading him on
|
| ‘Cause Ethel is gone
|
| They keep leading him on
|
| ‘Cause Ethel is gone
|
| And the mountain she’s on
|
|
|
| [FZ] We’ll join Studebacher Hoch on the edge of Billy the mountain’s mouth!
|
| [Mothers] A mountain is something
|
| You don’t wanna fuck with
|
| You don’t wanna fuck with
|
| Don’t fuck around
|
| Don’t fuck around
|
|
|
| Don’t fuck with Billy
|
| Don’t fuck with Ethel
|
| You saw what just happened to the guy with the flies
|
|
|
| DON’T FUCK AROUND!
|
| DON’T FUCK AROUND!
|
| DON’T FUCK AROUND!
|
| DON’T FUCK AROUND!
|
| DON’T FUCK AROUND!
|
| DON’T FUCK AROUND!
|
| DON’T FUCK AROUND!
|
| With Biddilly, Biddilly, Biddilly, Biddilly, Biddilly
|
|
|
| [Mark Volman & Howard Kaylan] BIDDILLY THE MOUNTIN-INNNNNNN!
|
| [FZ] That’s right, you heard right: Biddilly the Mountin-in!
|
| [Mark Volman & Howard Kaylan] BIDDILLY THE MOUNTIN-INNNNNNN!
|
| [Mark Volman & Howard Kaylan] Aya-aya-aya
|
| [FZ] Aya-aya-aya
|
| [Mark Volman & Howard Kaylan] Aya-aya-aya aya-aya-aya
|
| [FZ] One, two, three, four
|
| Even melody, two on the town, they go to Hong Kong, it’s more […] there
|
| So that’s actually… This is actually pretty disgusting
|
| And the whole idea of two people born on the town in this place, well, that’s crazy
|
| [FZ] Truck driver divorce
|
| It’s very sad
|
| (Steel guitars usually weep all over it)
|
|
|
| The bold & intelligent masters of the road with their Secret Language
|
| And their giant
|
| Oversized
|
| Transcontinental mechanical hobby-horse! ▶
|
|
|
| Truck driver divorce
|
| It’s very sad
|
| Oh, the wife! ▶
|
| Oh, the kids!
|
| Oh, the waitress!
|
| Oh, the drive all night!
|
|
|
| Sometimes when you get home
|
| Some ugly lookin’ son-of-a-bitch is tryin’ to pooch yer home-town sweetheart
|
|
|
| Oh, go ride the bull ▶
|
| Oh, go ride the bull
|
| Make it go up an’ down
|
| An’ when you fall off you can eat the mattress
|
|
|
| Truck driver divorce
|
| IS VERY SAD
|
| Bust yer ass
|
| To deliver some string beans
|
| Deliver some string beans
|
| Deliver some string beans to Utah! ▶
|
.jpg "(Front)")
Songs list
| 
Title origin
|
Listen original song on YouTube
|